Album: The Shade- EP
Release Date: January 24, 2012
This is the very first song I ever wrote on my own. And it's really old.
So what's it about?
I usually think my lyrics are either pretty self-explanatory or don't want to ruin it for people if they find their own meaning, but this song will always be pretty special to me because it represents an epiphany for me about discovering the beauty in sadness. And that in turn became an epiphany of sorts about life being what you make of it. I think I started to figure out around the time I wrote this song that things aren't ever as dire as they seem and that keeping your chin up is half the battle, but it might be a stretch to say that idea comes across in this version of it.Any interesting FYIs?
When I originally wrote this song, the only musical instrument I owned was a Casio keyboard that I'd bought from the toy department at Target. (You know, the kind that plays "She'll Be Coming 'Round the Mountain" and "Happy Birthday" and 97 other songs at the push of a button.) I've since moved on to bigger and better, but I'm keeping that keyboard for nostalgic purposes. How did recording go?
First of all, while I am amazed at how much I've learned (and retained) about recording music over the last several years, I don't really know what I'm doing. So just keep that in mind...Since this song has been in my life for a looooong time, it's been retracked pretty much every time I upgraded my gear or needed something to practice my recording "skills" on, so this is about the 50th version of it.
The original song had five verses. Way too many. Thankfully those got chopped down over the years and it's a little more to the point. I got a wild hair several years back to try and turn it into a full on rock song, but that never quite worked out. For some reason, this song never really lent itself well to having a chorus either and I finally gave up trying to force one. I like the piano hook and I think the key change in the bridge, which was a total accident, works out really nicely.
The harmonies were another wild hair. Wanted to practice vocal arrangements and mixing and ended up with some pretty cool ideas. I thinned them out for the final version though because they were a little overboard the first few times around. The bluesy high line was the last element added to this song. I'm glad it happened.
The sequencing in the background is nothing too fancy. Just some textural stuff to make it more interesting (and to force me to learn how to use MIDI plugins in Pro Tools). Again, I had to make myself chop some stuff out, including some really silly drum loops, and fight my ever-present urge to add a full orchestra to everything.
When I tracked the "final" vocals for this, I used two different mics to test and see which one I liked better. Of course, I then ended up needing to retrack the main vocal line because that mic turned out to be the wrong one. In the process of doing that, I blew up the headphone outs on my recording interface. I'm not sure how you blow up headphone jacks with an acoustic piano song, but I did. Like I said, I don't really know what I'm doing.
Most of this was tracked in the attic of the house where I lived in Lafayette, Indiana. It was not a climate controlled environment so there's some sweat and frostbite in this recording. I finished it up in Indianapolis in late 2011. All in all, for my first real attempt at mixing and mastering, I think it's a good, healthy start.
Thanks for listening.
Cheers,
Emily